Image |
Comment |
| 11/18/2004 04:25:54 PM |
Country Sunrise by BradComment: This should be hanging on a museum wall. Very nice. I loved the texture used to achieve the look, but it seemed to get washed away in the highlights and is the only thing that gives the 'picture' away for what it really is. |
Photographer found comment helpful. |
| 11/18/2004 04:22:43 PM |
Serenityby connieComment: Monet...Monet? Simply beautiful. I feel like this whole challenge is a personal museum tour and I don't even have to leave home. It was hard not to push this one into the one-of-three 10-slots I restricted myself to in this challenge. Each time a 9 was placed, it was for the most pitiful of picky things. I only could say here that the left lower corner appeared burned. Otherwise, there is nothing I could offer in critique. |
Photographer found comment helpful. |
| 11/18/2004 04:17:37 PM |
First Impressionby JeanComment: I really like the balance of thirds on this one, the contrast of the large and small circles against the lines of the painted prism, somehow the reflection in the green seemed too burnt/blurred compared to the rest of the picture, but I still had to give this an almost perfect. |
Photographer found comment helpful. |
| 11/18/2004 04:14:50 PM |
Lumiere de bougieby graphicfunkComment: I'm thinking multiple layers of saran wrap here, with vaseline maybe smudged on it as well. Whatever the technique, this one was the last (or first as you wish to look at it) one that I let convince me into giving a ten. To take a picture that I can already see without abstracting it would have been beautiful, but to be able then to translate that great shot into a faux painting...very nice :-) |
Photographer found comment helpful. |
| 11/18/2004 04:11:43 PM |
Claude Monet: Duskby hopperComment: The overwhelming orange of the sky and the perfect orientation of the bridge work pushed this one over the top for me. Great use of lower third vs top 2/3s and balanced with the Left Tall one-third, right low 2/3s. Although I was later able to make out the supporting wire/power line, It's position once again in the exact spot it needed to be in no way detracted from the whole. |
Photographer found comment helpful. |
| 11/18/2004 04:08:21 PM |
Still LIfe With Pearsby dsidwellComment: I loved this composition. The grain and coloration appear to have been brushed on with actual paint. The edge artifacts on the pear lift it off the canvas and still I have this sneaking suspision that you used a 2500 speed ISO a very small aperture and the lowest form of candle light possible. |
Photographer found comment helpful. |
| 11/14/2004 04:51:01 AM |
recovered0032b_corr.jpgby menardmamComment: ...(jmo) This one is far better than the original. ;-)
Removing the shadowy grain/noise no longer presents any questions on the model. Very nice presentation. |
Photographer found comment helpful. |
| 11/10/2004 06:06:40 PM |
Know Your Enemyby alien2thisworldComment: I've begun to wonder if the twin chess photogs are actually playing a real game through this forum with each of their challenges... ah well. Tho some may be tired of the subject, I am enjoying the extended study of Opaque vs Transparent and their varied interpretations. |
Photographer found comment helpful. |
| 11/10/2004 05:16:02 PM |
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Photographer found comment helpful. |
| 11/10/2004 04:01:39 PM |
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Photographer found comment helpful. |
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