Author | Thread |
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12/20/2015 08:49:39 AM |
Your essay has an imbedded imagery for me.
The images are all flashes of conversations happening between the most normal of characters in their most normal of environments, so much more natural than where the artworks actually are.
All are new art pieces. Thanks.
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Photographer found comment helpful. |
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11/23/2015 04:06:45 PM |
The eye has agreed to look for what the brain wants... interesting.. as I view these images I hear anguish.. longing, not fleeting moments but a call to listen to what we see. Some better than others, but beautiful expression here. And as always, wonderful color. |
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Photographer found comment helpful. |
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11/09/2015 02:20:57 AM |
I like this essay the more times I look at it. It is well composed with clean elegant elements. A good example of less is more, not an easy thing to achieve. Integrating the classics with your own personal style and interpretation is refreshing to say the least, perhaps an artistic ah-ha moment. I enjoy your use of clear, sharp imagery along with vibrant colour. |
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Photographer found comment helpful. |
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11/01/2015 10:05:14 AM |
Originally posted by mariuca: In response to Don, all images are made of two different pictures (with the exception of #7 which is minimal editing and #1 made of three different shots).
I tried to render visible at least one thought or one association of ideas that came to my mind when looking at a painting or sculpture.
With a few exceptions, I noted the artist whose work I looked at or used for reference |
I'm very interested in combining images and this essay just makes me more interested. You really nailed it. Well done. |
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Photographer found comment helpful. |
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11/01/2015 05:28:47 AM |
The Daniel Gilbert quote should make any visual artist pause. The dance between eye and brain is never ending and different for all. We move forward through life, evolving with no turning back. How we saw something yesterday is gone.
I̢۪m a stubborn purist who̢۪s out of touch with modern digital art. I like whimsical and enigmatic but believable at the same time. The photographer who leaves no footprints, where how never competes with why. Some of your images are just out of reach because I know how they were created.
Having said all that, I did enjoy your essay. It̢۪s a wonderful display of relationships, bringing life to the inanimate and a deeper meaning to these installations. My critique is more about me than your photographs.
number 12, 13, and 14 - my favorite stretch of images in your essay. In 14 the blinding glare on the painting with red hands covering the sculptures eyes. Brilliant!
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Photographer found comment helpful. |
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10/31/2015 04:32:49 PM |
In response to Don, all images are made of two different pictures (with the exception of #7 which is minimal editing and #1 made of three different shots).
I tried to render visible at least one thought or one association of ideas that came to my mind when looking at a painting or sculpture.
With a few exceptions, I noted the artist whose work I looked at or used for reference |
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10/31/2015 03:53:28 PM |
are you combining images? for at least some of these? This is funny and profound. and yes, longing. |
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Photographer found comment helpful. |
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10/31/2015 11:23:55 AM |
I find myself having similar challenge as I do when looking at Don's essays. Words don't come easily to me, I'm simply not eloquent.
All I can say is I enjoyed looking at this collection of images, very cleverly put together. |
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Photographer found comment helpful. |
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