Sunset Silhouette in the City
by Commando303

Comment by naplesmusc:
There's a litte too much detail in the front of the buidlings for a higher score. 5

Setting Green
by Commando303

Comment by Rankles:
The sun is a little overpowering, but it is more original thatn the 350 shots of leaves so it gets a boost and fits the challenge well enough.

Setting Green
by Commando303

Comment by GoodEnd:
Very interesting use of the sunlight. I like it but not so sure about all that bright.

The Man Behind the Code
by Commando303

Comment by TheStick:
He's still for sure! Other then that it is a little stretch on the topic IMHO. Technically a good photo though.

Chamaeleon Hand
by Commando303

Comment by ticktockdoc:
Interesting macro concept here.

Chamaeleon Hand
by Commando303

Comment by Techo:
Cool shot. Would love to read how you went about the lighting.

Message edited by author 2006-03-31 12:53:49.

Chamaeleon Hand
by Commando303

Comment by GrayGhost:
Nice idea, sharpness, DOF. IMHO, you something more, incorporating a real chamaeleon or even a lizard of any kind would make the image.

Getting Ready
by Commando303

Comment by MayaM:
Nice twist on the topic, my only comment is that she left her glasses on, it would look better without the glare.

Mmm...Pie
by Commando303

Comment by dahkota:
While the pie does look good, I think this image suffers from poor presentation. The subject is centered and full frame with slightly odd lighting, leaving the image flat and static. Background may play a large part here - a more apetite inducing background, say red or yellow, even blue maybe, would induce a viewer to want to eat. Currently, both in texture and tone, the background competes with the pie. You've done a good job of capturing the food itself - not an easy task which is why I rarely try. But I think you need a little more: a glass of milk, a fork, a slightly wider viewpoint, to make this image really pop. 5 - good luck in the challenge!

Traffic From A High-Rise
by Commando303

Comment by muypoetico:
Nice sense of the line of traffic and the arrested motion of pedestrians; high to low perspective limits the extent of one's gaze though